Science fiction and visual ethnography invoke transmissions of American noise.

WashMachine Productions experiment in audio/video processing of the original and the copy to reflect upon the dissonance between the personal and the cultural. Documenting the crossed signals of street performers, circuit benders, culture-jammers and a mad scientist from an endless American brain-scape.

Jonathan Phelps was a cinematographer and editor on this project spanning from 2001-2010.

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